Alienated, hopeful-filmmaker Pat Johnson’s epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.
We’ve been hearing about the Star Wars-themed coming-of-age tale 5-25-77 for nearly a decade. After starting production in 2004, the film debuted at the Hamptons International Film Festival in October of 2008 under the title ’77, but ended up going back to a release that that Star Wars fans will recognize as the exact day that George Lucas first took us into a galaxy far, far away.
A former friend betrays a legendary outlaw in Sam Peckinpah’s final Western. Holed up in Fort Sumner with his gang between cattle rustlings, Billy the Kid (Kris Kristofferson) ignores the advice of comrade-turned-lawman Pat Garrett (James Coburn) to escape to Mexico, and he winds up in jail in Lincoln, New Mexico. After Billy theatrically escapes, inspiring enigmatic Lincoln resident Alias (Bob Dylan) to join him, the governor (Jason Robards Jr.) and cattle baron Chisum (Barry Sullivan) requisition Garrett to form a posse and hunt him down. Rather than flee to Mexico when he can, Billy heads back to Fort Sumner, meeting his final destiny at the hands of his friend Pat, who, two decades later, is forced to face the consequences of his own Faustian pact with progress. With a script by Rudolph Wurlitzer, Peckinpah uses the historical basis of Billy’s death to eulogize the West dreamily yet violently as it is desecrated by corrupt capitalists. Both Pat and Billy know that their time is passing, as surely as Garrett’s posse knows that they are participating in a legend.
HDS FESTIVAL FUNDRAISER WITH KRIS KRISTOFFERSON
go to: www.harrydeanstantonfest.org for tickets
Frank Adler (Chris Evans) is a single man raising a child prodigy – his spirited young niece Mary (Mckenna Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when the seven-year-old’s mathematical abilities come to the attention of Frank’s formidable mother Evelyn (Lindsay Duncan) whose plans for her granddaughter threaten to separate Frank and Mary. Octavia Spencer plays Roberta, Frank and Mary’s landlady and best friend. Jenny Slate is Mary’s teacher, Bonnie, a young woman whose concern for her student develops into a connection with her uncle as well
Gloria is an out-of-work party girl who, after getting kicked out of her apartment by her boyfriend, is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to this far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.
When Stan Lohman (Richard Gere), a popular congressman running for governor, invites his troubled younger brother Paul (Steve Coogan) and his wife Claire (Laura Linney) to join him and his wife Katelyn (Rebecca Hall) for dinner at one of the town’s most fashionable restaurants, the stage is set for a tense night. While Stan and Paul have been estranged since childhood, their 16-year- old sons are friends, and the two of them have committed a horrible crime that has shocked the country. While their sons’ identities have not yet been discovered and may never be, their parents must now decide what action to take. As the night proceeds, beliefs about the true natures of the four people at the table are upended, relationships shatter, and each person reveals just how far they are willing to go to protect those they love.
Hayao Miyazaki, the Japanese animation director who wowed audiences worldwide with his award-winning film Spirited Away, brings another visually spectacular tale of imagination to the screen. Sophie is an 18-year-old girl who toils in the hat shop opened years ago by her late father. Often harassed by local boys, one day Sophie is unexpectedly befriended by Howl, a strange but flamboyant wizard whose large home can travel under its own power. However, the Witch of the Waste is displeased with Sophie and Howl’s budding friendship, and turns the pretty young woman into an ugly and aged hag. Sophie takes shelter in Howl’s castle, and attempts to find a way to reverse the witch’s spell with the help of Calcifer, a subdued but powerful demon who exists in the form of fire, and Markl, who protects the four-way door which can instantly take visitors to other lands and dimensions. Howl’s Moving Castle was released in North America by Walt Disney Pictures, who distributed the film both in its original Japanese and in a dubbed English version; the English-speaking voice cast includes Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall, and Billy Crystal. ~ Mark Deming, Rovi
The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug.
From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define “irreverence” and became an instant cult classic.
Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton’s only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with “good” represented by a couple of farm kids and a pious old lady, and “evil” literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben’s home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben’s son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film’s final third, a masterful blend of horror and lyricism. Laughton’s tight, disciplined direction is superb — and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, Rovi
The most royal of the cycle of ’60s films dealing with the history and castle intrigues of medieval England, Anthony Harvey’s The Lion in Winter returns in a new 4K restoration by Studiocanal. At Christmas Court in 1183 King Henry II argues with his estranged wife, Eleanor, over whether Prince John or Richard shall inherit the throne. Complicating matters, King Philip II of France seeks his own fortune by demanding his sister Alais, currently Henry’s mistress, be betrothed to Richard, all the while stirring insurrection among all of Henry’s sons toward their father.