As a child, Baby Jane Hudson was the toast of vaudeville. As an adult, however, Baby Jane was overshadowed by her more talented sister, Blanche, who became a top movie star. Then, one night in the early ’30s, came the accident, which crippled Blanche for life and which was blamed on a drunken, jealous Jane. Flash-forward to 1962: Jane (Bette Davis), decked out in garish chalk-white makeup, still lives with the invalid Blanche (Joan Crawford) in their decaying L.A. mansion. When Jane isn’t tormenting the helpless Blanche by serving her dead rats for breakfast, she is plotting and planning her showbiz comeback. Convinced that her days are numbered if she remains in the house with her addlepated sister, Blanche desperately tries to get away, but all avenues of escape are cut off by the deranged Jane.
When telephone lines are crossed, complete strangers meet and fall in love. Split screen sequences and songs spice up this light romantic comedy starring Doris Day and Rock Hudson. .
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess’s novel, complete with “Nadsat” slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his “Droogs” spend their nights getting high at the Korova Milkbar before embarking on “a little of the old ultraviolence,” such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result).
This is the labyrinthine study of the life of a newspaper tycoon.
The pre-eminent satire of cold-war paranoia, Dr. Strangelove is a hilarious and harrowing fable of systemised madness.
Teenaged Ferris Bueller (Matthew Broderick) is a legend in his own time thanks to his uncanny skill at cutting classes and getting away with it. Intending to make one last grand duck-out before graduation, Ferris calls in sick, “borrows” a Ferrari, and embarks on a one-day bacchanal through the streets of Chicago. Dogging Ferris’ trail at every turn is high-school principal Rooney (Jeffrey Jones), determined to catch Bueller in the act of class-cutting. Writer/director John Hughes once again tries to wed satire, slapstick, and social commentary, as Ferris Bueller’s Day Off starts like a house afire and goes on to make “serious” points about status-seeking and casual parental cruelties. It brightens up considerably in the last few moments, when Ferris’ tattletale sister (Jennifer Grey) decides to align herself with her merry prankster sibling.
L. Frank Baum’s classic tale comes to magisterial Technicolor life! The Wizard of Oz stars legendary Judy Garland as Dorothy, an innocent farm girl whisked out of her mundane earthbound existence into a land of pure imagination. Dorothy’s journey in Oz will take her through emerald forests, yellow brick roads, and creepy castles, all with the help of some unusual but earnest song-happy friends.
In this modern love story set against the Austin, Texas music scene, two entangled couples–struggling songwriters Faye (Rooney Mara) and BV (Ryan Gosling), and music mogul Cook (Michael Fassbender) and the waitress whom he ensnares (Natalie Portman)–chase success through a rock ‘n’ roll landscape of seduction and betrayal.
A UNITED KINGDOM is based on extraordinary true events. In 1947, Seretse Khama, the King of Botswana, met Ruth Williams, a London office worker. They were a perfect match, yet their proposed marriage was challenged not only by their families but by the British and South African governments. The latter had recently introduced the policy of apartheid and found the notion of a biracial couple ruling a neighboring country intolerable. South Africa threatened the British: either thwart the couple or be denied access to South African uranium and gold and face the risk of South Africa invading Botswana.
A look at the 2017 Oscar nominated short films in the categories of documentary, live action and animation.