Harper Lee’s Pulitzer Prize-winning autobiographical novel was translated to film in 1962 by Horton Foote and the producer/director team of Robert Mulligan and Alan J. Pakula. Set a small Alabama town in the 1930s, the story focuses on scrupulously honest, highly respected lawyer Atticus Finch, magnificently embodied by Gregory Peck. Finch puts his career on the line when he agrees to represent Tom Robinson (Brock Peters), a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch’s six-year-old daughter Scout (Mary Badham). While Robinson’s trial gives the film its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout’s ever-strengthening bond with older brother Jem (Philip Alford), her friendship with precocious young Dill Harris (a character based on Lee’s childhood chum Truman Capote and played by John Megna), her father’s no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout’s reactions to, and relationship with, Boo Radley (Robert Duvall in his movie debut), the reclusive “village idiot” who turns out to be her salvation when she is attacked by a venomous bigot. To Kill a Mockingbird won Academy Awards for Best Actor (Peck), Best Adapted Screenplay, and Best Art Direction. ~ Hal Erickson, Rovi
Harold, the 20-year-old son of a wealthy, neglectful woman, tries to gain attention for himself with various hilariously staged “suicides.” Obsessed with death, Harold meets a like-minded 79-year-old woman named Maude. Harold and Maude become inseparable friends, both helping each other out of various personal travails.
In the Depression-era deep South, three escapees from a Mississippi prison chain gang: Everett Ulysses McGill, sweet and simple Delmar, and the perpetually angry Pete, embark on the adventure of a lifetime as they set out to pursue their freedom and return to their homes. With nothing to lose and still in shackles, they make a hasty run for their lives and end up on an incredible journey filled with challenging experiences and colorful characters. However, they must also match wits with the cunning and mysterious lawman Cooley, who tracks men, bent on bringing the trio back to the prison farm.
Jean Cocteau’s adaptation of Beauty and the Beast (originally released in France as La Belle et la Bte) stars Josette Day as Beauty and Jean Marais as the Beast. When a merchant (Marcel Andr (C)) is told that he must die for picking a rose from the Beast’s garden, his courageous daughter (Day) offers to go back to the Beast in her father’s place. The Beast falls in love with her and proposes marriage on a nightly basis; she refuses, having pledged her troth to a handsome prince (also played by Marais). Eventually, however, she is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn’t return it to him by a specific time, he will die of grief. The film features a musical score by Georges Auric. ~ Hal Erickson, Rovi
(French with English subtitles )
When her director husband is occupied with work in Paris, an American woman takes a jaunt with his business associate, a charming Gallic rogue who is happy to squire her on a tour of some of the finest meals in Provence. The first feature directed by Eleanor Coppola, wife of Francis and director of the “Apocalypse Now” documentary “Hearts of Darkness”.
Persistent wheeler-dealer Norman (Richard Gere) falls in with an Israeli politician (Lior Ashkenazi) on the rise. When the politician is elected prime minister, Norman rises in esteem with the New York Jewish community, even though his social connections might only be a sham.
The Friends of The Kentucky Theatre invites you to celebrate the 25th anniversary of The Kentucky Theatre’s re-opening at a fundraiser inspired by the Oscar-winning film, CINEMA PARADISO. Doors open at 6:00p.m., film starts @ 7:00 p.m.
PIZZA, WINE, LIVE MUSIC, DOOR PRIZES, AND A GREAT FILM!!!!!
Come “mangia” Italian-style with pizza donated by Papa John’s. Sip red wine and let strolling accordionists, The Dischordions, transport you to a little town in Sicily. Then settle in for a movie that will, if it hasn’t already, win your heart.
After the movie, cross your fingers for a chance to win one of three special door prizes. And on your way out of the theatre, look for a sweet treat in the spirit of the movie’s famous kissing scenes.
All proceeds from this event will go toward on-going capital improvements of The Kentucky Theatre.
Set in Sicily, Cinema Paradiso is the heartwarming story of a young boy’s lifelong love affair with the movies. Salvatore is enchanted by the flickering images at the Cinema Paradiso. When the projectionist, Alfredo, takes him under his wing, a deep friendship is born. As a young man, Salvatore leaves the village to pursue his dream of making movies. Thirty years later, he receives a message that calls him back home to discover a poignant gift.
Based on author David Grann’s nonfiction bestseller, “The Lost City of Z” tells the incredible true story of British explorer Percy Fawcett (Charlie Hunnam), who journeys into the Amazon at the dawn of the 20th century and discovers evidence of a previously unknown, advanced civilization that may have once inhabited the region. Despite being ridiculed by the scientific establishment who regard indigenous populations as “savages,” the determined Fawcett – supported by his devoted wife (Sienna Miller), son (Tom Holland) and aide-de-camp (Robert Pattinson) – returns time and again to his beloved jungle in an attempt to prove his case, culminating in his mysterious disappearance in 1925. An epically scaled tale of courage and passion, told in writer/director James Gray’s classic filmmaking style, “The Lost City of Z” is a stirring tribute to the exploratory spirit and a conflicted adventurer driven to the verge of obsession.
Aristides de Sousa Mendes, was the Portuguese Consul in Bordeaux, France, during World War II. He saved an estimated 30,000 lives, the majority of them Jews, when Paris fell to the advancing Nazi army in June of 1940. Helped by his wife and children, Sousa Mendes issued visas to as many refugees as he could, without regard to nationality or religion.
Dismissed when first released, later heralded as one of director Alfred Hitchcock’s finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D’entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster’s wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film’s wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann’s hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie’s second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, Rovi